Vampires are a metaphor. What they’re a metaphor for – the parasitic aristocracy, predatory sexuality, Mormon celestial marriage – may shift with the anxieties of the era, but they always represent something.
When Sherlock Van Hellsing asks a cadaverous, sore-covered Jonathan Harker if he has had sexual intercourse with Dracula, you can only wonder if Moffat and Gatiss have made a horrific and tasteless AIDS analogy.
Continue reading “a completely objective and overarching ruling on the quality and value of bbcs Dracula based on watching one episode and then rage quitting”
Denali Stannard 